Features

Behind the Curtain, before the Velvet Rope
Kirstie McCallum Kirstie McCallum

Behind the Curtain, before the Velvet Rope

In a town where space is at a premium, the Blue Building luxuriates in long sight lines and negative space. Nested within the rectangular geometry of the gallery, Emmitukwemk: The Visit, by Ursula Johnson, is the first exhibition I have seen that has held its own against the imposing 1400-square-foot room.

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